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This in itself is an example of me being pre-dispositioned to not really liking graffiti but after watching MUTO changing my judgement.Precise a multi-track video editing program for PC with a new customizable workspace. I also found myself finding appreciation for graffiti as art on watching MUTO that I had not had before. I think something that the whole class agreed on was that we all were amazed by the graffiti art and impressed by the amount of dedication it took to make an entirely stop-frame piece with it. This is why there is truth behind first impressions not always being correct and that it's better to reserve judgement on something until you've watched the whole piece. Sometimes I think the creators behind the film are intending his or hers audience to do so. I think with certain films or books it benefits the audience to watch/read the piece with an open mind and be prepared to look deeper in order to take away something from it. Because of this I think that MUTO is best watched for a second time because it actually has more to it than you may have first thought. So much happens in MUTO within a short space of time that it took me a second viewing of the film on youtube to absorb what I had missed the first time and I had more of an idea about the film's meaning after watching it again. On watching the video myself I at first felt a bit puzzled by what I was watching and thought the wall art was rather weird but incredibly inventive. Some peope did not feel much enthusiasm for it as they found it rather creepy and weird while others felt the film had a running theme of birth, re-birth and the recycling-cycle of life.
There wasn't a clear narrative to the piece which made the overall concept difficult to interpret. When we watched MUTO, for example, some of the group were slightly confused by it and could not see a proper point to the video concept-wise. With each of the experimental videos we have viewed together in and alone outside of class, we have all come away with different reactions and interpretations of what we've watched. The length of these scenes gives the audience time to absorb what they are seeing and appreciate the beauty of our natural planet and it's presence.Įverything we watch or read is open to interpretation and most often an audience on watching a film will differ in their opinions and feelings about what they've seen. This conveys time passing and natures pulse. Some of the natural scenes last over several minutes each with time lapse photography often used to speed up the shot, e.g the clouds forming and moving across the skies. The clips of canyons and cliffs are shot with the camera as if you were flying over them which is a thrilling experience and which I can only guess the cinematographer must have filmed from a helicopter or small plane. The sequence of shots that follow and make up the first half of the film consist solely of beautiful, untouched natural landscapes desolate desert, vast canyons, rushing water at a waterfalls edge, waves on the sea, sky and clouds moving and changing.
As the film opens, there is a lingering shot of Hopi cave drawings - we then witness a rocket from the Apollo 12 mission taking off and the billowing smoke and debry.